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我很好
专辑介绍 :
2008 第一个 MSN 昵称:我很好!
2008 第一句见面招呼语:我很好!
2008 第一次比说“我爱你”更期待实现的:我很好!
2007,再见了。2008,我很好!
刘若英 全新生活感专辑《我很好》2008.1.11诚挚分享!
让刘若英揭发我不为人知的 不勇敢
让刘若英陪伴我 暂时逃避恋爱中理所当然的不完美
因为刘若英 让我知道 我很好
刘若英 全新生活感 声音钜作“我很好”
专辑“我很好”
专辑回归音乐,收录3首亲身创作。延续以往刘若英的音乐曲风,新作网罗熟悉的制作班底五月天阿信+袁惟仁+陈晓霞+姚若龙+葛大为+施立+易桀齐共襄盛举,此外,更是力邀陶晶莹、韦礼安、陈忠义几位音乐能手的作品,首度合作所激荡出的火花更是增添专辑新鲜感。已经许久不曾在专辑小露身手的她,特地挖宝献出3首词曲创作,显见刘若英为此张专辑亲力亲为的专注与诚挚。
抛开文艺,生活感满溢。此这张专辑刘若英让人觉得温暖而明亮,唱腔也展现以往不常见的中高音色,音乐仍是她擅长的都会情歌氛围。褪下以往文艺压抑调性,作品处处显现生活里的原汁原味。极度生活的句子,直白简单的口气,诉说对现代人对爱情的观点。不管经历多少挫折、错误与失败,不管拿过多少奖、受过多少称赞,“就算周刊上玛法达,说这礼拜,我运气不太好,生活还是得过,那又怎样”,从刘若英第一人称出发,贴近且诚实的坦白更让人进一步认识全新生活感的刘若英。
单曲“我很好”
都会生活感第一主打“我很好”。首支主打“我很好”,网罗音乐新能手陈忠义谱曲,更是情商五月天阿信填词。接下重责大任的阿信苦磨歌词数月,量身词送刘若英,阿信苦笑坦言:“这是我写最久的歌词!”,不枉刘若英苦等数月,最终成果然令众人满意,所有工作人员几乎是一面倒的票选此首为首波主打。此首歌曲的灵感源日剧的“萤之光”里描写干物女的脚色,阿信说“想写一首主题是‘即便是城市倾倒也要爱下去,那般轰轰烈烈的爱情’给奶茶,鼓励她勇敢去爱、决心去爱!”。当阿信告知奶茶我觉得你好像干物女欧,奶茶率性回答:“当干物女也没什么不好啊!我就是干物女!”
在录音室配唱时,阿信还跟奶茶打趣说这首歌可以谈很多广告代言了,“啤酒”“面条”“沙发”“地铁”“床单”等许多名词,呈现出真实“生活感”,连“心痛如绞”都笑说要找“水饺”广告搭歌,惹得现场哄堂大笑。连在决定歌名时,都打趣说干脆叫“青岛啤酒”通俗又好记。(倾倒音同=青岛)
MV“我很好”
都会熟女生活情境投射。歌词故事细腻描绘现代女性集体的共同情绪,熟女经历失败、挫折与试炼,可能会逃避、可能会调适但终究经由对自己充分了解与认识后,所散发出→生存与生活的微妙光芒。为了贴切精准掌握歌词中女主角的思绪,唱片公司大手笔邀请知名导演彭文淳掌镜〈*拍摄金城武、裴勇俊、李英爱、孙燕姿…等人知名导演〉,选择具国际视野的都市上海拍摄此支MV,期望以大制作大格局呈现都会女性们独特且具生命力的生活态度。
MV里的刘若英,由压抑到释放,由封闭到伸开双臂,走出自溺空间,藉由体验生活中许多美好的事物证明自己过的很好,例如自在的骑脚踏车在街上奔驰、请自己去吃一顿贵死人但好吃到爆的高级法国菜、激烈打一场羽毛球自己发泄、逗弄路边可爱的小猫小狗、卯起来疯狂大血拼…,任何生活中的小事都可以是证明自己过的很好的大事,所有的细微渺小,也都具有足以让自己勇敢开怀的巨大力量。最后更是选择一个安静的高处对世界大声宣告:
我不再问 "I'm Fine. And you? "
现在,要学着说: " I'm Fine. Am I? "曲目 · · · · · ·
CD:
1、训练
2、我很(電影《把愛找回來》中文預告曲)3、落跑新娘
4、口香糖
5、熊
6、还是一样
7、静静坐着
8、给你
9、栀子花
10、12月3日,北京
11、不能跟情人说的话(with范玮琪)
DVD:
1、《好心情》MV
2、《好心情》录制及拍摄花絮音樂: 我很好--劉若英 -
黄玠 --- 绿色的日子

Artist: 黄玠
Album: 绿色的日子
Label: 风和日丽
Release Year: 2007有黄玠、有黄小桢、有娃娃,就够了。
Tracks:
1.dadadalada
2.綠色的日子
3.存在
4.25歲
5.做朋友
6.香格里拉以下摘自风和日丽的文案:
黄玠说:「我想用我的音乐,改变这个世界。」你一定觉得他疯了。
1951年,切.格瓦拉骑上摩托车,展开了跨越南美五国的漫漫长征,一路的见闻最后成就了二十世纪最憾人的革命英雄。2006年,黄玠也跨上他的速克 达,展开了热血却不怎么壮烈的环岛之旅,黄玠的音乐革命之路也由此正式出发。回到台北后,黄玠开始筹备个人的第一张专辑,虽然同样是对于这个现实世界的气 愤与不满,毕竟流血革命太过遥远困难,写歌唱歌对他来说却如同信手捻来。专辑同名歌曲“绿色的日子“,写的是当兵时内心的压抑与愤慨,「脚下皮鞋擦的发 亮,肩上的梅花闪着光,绿色迷彩完美伪装,盖不掉心理的肮脏。是不是咬紧牙关,撑过这一段,我就能成为所谓的男子汉?」用打火机烤过皮鞋的你一定能够感同 身受,但其实这样“不得不“的抑郁感觉却是无所不在,为了爸妈不得不立志升学的可怜学生,为了微薄薪水不得不熬夜加班的社会新鲜人,你们过的不也都是“绿 色的日子“吗?
绿色的日子里,有苦涩,当然也有甜蜜,就像切.格瓦拉的旅程中也有许多轻松愉快的情节插曲,而在黄玠的音乐世界里,情歌其实才 是最主的成份,因为他始终相信,“爱“才是改变这个世界的原动力。从开场的小情歌“Dadadalada“开始,甜甜蜜蜜,爱情发芽了,「我以为什么事都 有规律,直到我遇见你。我变得紧张兮兮,我变得不可理喻,难道这就是爱情?」;热情如黄玠,当分手时刻来临,暴烈反应恐怕是无法避免,甚至会怀疑“存在 “的意义,「你的离去,你的围巾,把我勒紧,提醒着我是不是该存在,存在在你不存在的存在?」;沈淀过后,午夜梦回时,心情起起伏伏,听见心酸伤感的 “25岁“,「而你是否还会出现,出现在我的梦里面,陪我度过无数个漫长的黑夜?」;过去的爱情过去了,心,又动了,也许我们可以先“做朋友“,「我想做 你的好朋友,我想问你吃饱了没有,你就是这残酷的生活,唯一的美梦。」
你有没有发现,黄玠的歌词总是平铺直述有话就说,一点都不诗意,但配上 自然流畅的旋律,却是无比契合,毫无造作斧凿痕迹,随意哼唱,朗朗上口,这也就是黄玠作品的独特迷人之处。整张专辑都是由黄小桢担纲制作,编曲虽然是以木 吉他为基底,但独特而流畅的和弦进行,融合电子feel的混音,听来全然不是所谓校园民谣,隐约可以感受到久违的黄小桢式实验音乐。如果一定要说明,我想 它可以算是近年备受瞩目的新民谣风格(New Acoustic)吧!演唱部份,前自然卷的娃娃也来跨刀演唱,在“25岁“与“做朋友“里,她千变万化的声音表情,为这两首歌曲带来最佳演绎。他们三人 的合作早在今年春天就发生过了,也就是大家最早认识黄玠的作品“香格里拉“,只不过这次黄玠以创作者的身分自己演唱这首歌曲,有别于娃娃的凄美感觉,黄玠 的演唱其实温暖多了,「我以为认真去做就能实现我的梦,以为写首好歌走路就能抬起头,以为骑摩托车旅行就能变英雄,现在的我失去了冲动。」与其怀忧丧志, 还不如怀抱着希望,努力追求自己的梦想,「我唱歌你在听,一切风平又浪静,G和弦的根音,抚平脆弱的心灵…你抱着小猫咪,蓝眼睛不再忧郁,香格里拉在哪 里,让我们去找寻。」
专辑包同样交由萧青阳设计,封面照片的绿色通行灯号正是呼应了切.格瓦拉的摩托车之旅,内页则请来手绘艺术家奶油队长绘制歌词,并迭合彩绘行事历,绿色的日子尽管苦涩难熬,你却可以自己决定要不要为它添上色彩。
当初切.格瓦拉骑上摩托车时,没有人知道他将会改变整个拉丁美洲;现在,黄玠开始唱他的歌,也没有人知道他会为这片岛屿带来什么改变。但开始我觉得,也许他真的能够实现他的梦想。 黄玠说:「我想用我的音乐,改变这个世界。」下载:
转载推荐:http://musicshare.iblog.com/
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When I was small, and Christmas trees were tall, we used to love while others used to play. Don't ask me why, but time has passed us by, someone else moved in from far away. Now we are tall, and Christmas trees are small, Brightman Sarah and you don't ask the time of day. But you and I, our love will never die, but guess who'll cry come first of May. The apple tree that grew for you and me, I watched the apples falling one by one. And as I recall the moment of them all, the day I kissed your cheek and you were gone. Now we are tall, and Christmas trees are small, and you don't ask the time of day. But you and I, our love will never die, but guess who'll cry come first of May. When I was small, and Christmas trees were tall, do do do do do do do do do ... Don't ask me why, but time has passed us by, someone else moved in from far away.
Music:First of may - 藤田惠美 -
這是範曉萱的一本書
裏面只是些自言自語的短句
而我卻對書名情有獨鈡 因爲相信過了24嵗 一切都會好起來
Try to remember--the temptations
Try to remember the kind of September
When life was slow and oh so mellow
Try to remember the kind of September
When grass was green and grain so yellow
Try to remember the kind of September
When you were a young and a callow fellow
Try to remember when life was so tender
That no one wept except the willow
Try to remember when life was so tender
That dreams were kept beside your pillow
Try to remember when life was so tender
That love was an ember about to billow
Deep in December it's nice to remember
Although you know the snow will follow
Deep in December it's nice to remember
Without a hurt, the heart is hollow
Deep in December it's nice to remember
The fire of September that made you mellow
Deep in December our hearts should remember
Then follow-follow -
Vincent - Don Mclean
Starry starry night
paint your palette blue and grey
look out on a summer's day
with eyes that know the darkness in my soul.
Shadows on the hills
sketch the trees and the daffodils
catch the breeze and the winter chills
in colors on the snowy linen land.
And now I understand
what you tried to say to me
and how you suffered for your sanity
and how you tried to set them free.
They would not listen they did not know how
perhaps they'll listen now.
Starry starry night
flaming flowers that brightly blaze
swirling clouds in violet haze
reflect in Vincent's eyes of China blue.
Colors changing hue
morning fields of amber grain
weathered faces lined in pain
are smoothed beneath the artist's loving hand.
And now I understand
what you tried to say to me
and how you suffered for your sanity
and how you tried to set them free.
They would not listen they did not know how
perhaps they'll listen now.
For they could not love you
but still your love was true
and when no hope was left in sight on that
starry starry night.
You took your life as lovers often do,
But I could have told you Vincent
this world was never meant for one as beautiful as you.
Starry starry night
portraits hung in empty halls
frameless heads on nameless walls
with eyes that watch the world and can't forget.
Like the stranger that you've met
the ragged men in ragged clothes
the silver thorn of bloddy rose
lie crushed and broken on the virgin snow.
And now I think I know
what you tried to say to me
and how you suffered for your sanity
and how you tried to set them free.
They would not listen they're not listening still
perhaps they never will. -













